In Which We Serve Review.

In Which We Serve Review.

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In Which We Serve Description:

  • Amazon Sales Rank: #16348 in DVD
  • Released on: 2003-12-02
  • Rating: Unrated
  • Aspect ratio: 1.33:1
  • Formats: Black & White, NTSC
  • Original language: English
  • Running time: 115 minutes

Customer Reviews:

In honor of those who served so well….5

For many years, it was almost impossible to see this “classic” from among the films produced in 1942, during some of England’s darkest hours. According to most accounts, Noel Coward was determined to make his own contribution to the war effort. His objective was to improve morale by celebrating that which he believed the English people have traditionally cherished most: “king and country,” family, teamwork, human dignity, and courage. He wrote the screenplay, composed the musical score, and starred in a film whose leading character, Captain Kinross (played by Coward), was inspired by Lord Louis Mountbatten. The film’s structure was significantly influenced by Citizen Kane, a film which Coward greatly admired. What a cast! In addition to Coward, others include John Mills, Celia Johnson, Richard Attenborough, Bernard Miles, Michael Wilding, and James Donald. Although identified as co-director, Coward entrusted most of the work to David Lean with whom he had carefully studied Welles’ film before going into production. Here’s the basic situation: Captain Kinross and a few survivors cling to life in a dinghy after their destroyer, H.M.S. Torrin, has been sunk by Luftwaffe dive-bombers. As the shipmates bob in the water, they reminisce about loved ones at home with whom they shared so many happy moments. And then….

In addition to assembling an outstanding cast, Coward also enlisted the superb talents of Ronald Neame (cinematographer) and Thelma Myers (editor). Those who have at least some familiarity with Coward’s talents as a writer and performer should not be surprised that In Which We Serve has such a well-written screenplay and is thoroughly entertaining from beginning to end. However, if they have not as yet seen this film, they may be surprised to learn that Coward displays none of the mannered sophistication which is so evident, for example, during his appearances on television, in other films, and in musical reviews on Broadway and (especially) in casinos at Las Vegas. Captain Kinross is the archetypical English naval officer, portrayed by Coward without glitz or glamor. His upper lip remains appropriately stiff until the final, unforgettable scene but there is no doubt whatsoever about his inherent decency. His love and respect for those under his command are obvious, as are theirs’ for him. Recognizing the risk of misleading anyone who reads these brief remarks, I hasten to add that In Which We Serve also offers an abundance of riveting action as H.M.S. Torrin and her crew engage the enemy. To Coward, his cast, and his crew, well-done!

True Story of the British Lord Louis Mountbatten5
In Which We Serve is a superb film, though some younger people might think it is a little dated, is was made in 1942.
The names were changed but the Captain of the destroyer ‘Torrens’ is really Lord Louis Mountbatten and his ship, the HMS Kelly, sunk off Crete near Greece during the invasion of the island by the Germans in 1941.
All the speeches and talks the Captain gives to the crew are word for word what Lord Louis said at the time.
It is as close to being the most factual film ever made.

Its a film one can watch every so often and Noel’s performance as Captain ‘D’ is very real and believable.
Highly reccomended.

The spirit of WW2 Britain. If interested in getting a feel for that time, see this film (& “Hope & Glory” & “Mrs Miniver”).4
This film accomplishes what so many wartime films fail to—that is, return the viewer to the time period in question & hold one there. Too many films of the Second World War have the feel of modern times that just happen to be set in the past; and don’t affect one viscerally to any significant extent. 1940s Britain, particularly when that island stood alone, is a hard mood to capture, but this film succeeds herein. Contrary to some other reviewers here, this film isn’t propagandistic (in the manner that that term is usually viewed). It simply presents the gravity of the era (1939-1941) in which it was shot (1942) in almost real time; when Britain was hanging on precariously as the Royal Navy kept it afloat, so to speak. Showing bravery, British mettle, and presenting British resistance against Hitler’s Nazism is patriotic sure, but not propagandistic as well. Sometimes issues are Black & White, contrary to those who desire to see shades of gray in everything as a matter of self-perceived personal intellectual superiority. To show Britain fighting valiantly is not akin to Goebbels championing German braveness. The night of long knives, the state-sanctioned racism, the holocaust, the brutality of the Germans in occupied lands do not have equivalents on the British side. Certainly not in relation to the Second War War. “In which we Serve” is simply a fine film which captures an era & for anyone who wants to understand that era (viscerally even) one would be well served by giving it some of your time. Cheers!

Amazon.com
Based on the true story of Lord Mountbatten’s destroyer, In Which We Serve is one of the most memorable British films made during World War II. Unfolding in flashback as survivors cling to a dinghy, the film interweaves the history of HMS Torrin with the onshore lives of its crew. The 1942 film was the inspiration of Noel Coward, who desperately wanted to do something for the war effort, and he produced, wrote the screenplay, composed the stirring score, and starred as Captain Edward Kinross. Coward also officially codirected, though he handed the reigns to David Lean (in his directorial debut). There is fine support from Celia Johnson and John Mills, as well as a star-making debut from an uncredited Richard Attenborough. The use of real navy and army personnel as extras, together with lavish studio production and authentic shipboard location footage, lends the film an unusual sense of realism. A landmark in the careers of many of the most important names in British film, this moving and occasionally harrowing classic has a vital place in the development of British cinema. -Gary S. Dalkin

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